Archive for February 4th, 2009

#10 What It Is - Dave Weckl Band - by profyousion

Wednesday, February 4th, 2009

“COP DIS JAM”.

PROFYOUSION’S VIDEO REVIEW dave-weckl

“What It Is” is a track by the Dave Weckl Band exemplifies what I like best about fusion. Maybe these cats hear music differently than us “ordinary” folks.

No intro, they jump right to a funky bass/drum groove. The bassline has an off kilter vamp like it’s behind the meter, producing a kind of jerky feel, which is also replicated by the drums. Laid on top is a throaty sax, along with subtle rhythm accents on synth.


The solos by sax, keyboards with fender/rhodes tones, and drums, are explorative and unpredictable, and typify fusion’s unfamiliar paths by familiar instruments.
These paths keep the tune from becoming boringly smooth jazzy, and the bass/drum funk line is the orbit maintaining gravity keeping it from veering into outer space.

PROFYOUSION’S VIDEO REVIEW dave-weckl

“COP DIS JAM”.

From the album Multiplicity, released in 2005 on the Stretch Records label the personnel includes:

Dave Weckl-drums, percussion
Steve Weingart- keyboards, synth
Gary Meek-tenor/alto sax,bass clarinet, alto flute
Tom Kennedy-bass
Ric Fierabracci-bass on ‘what it is”

Track Listing:

Watch Your Step
Elements of Suprise
Vuelo
Inner Vision
What it is
Chain Reaction
Cascade Mixed Bag
Down on The Corner

Angelfire.com Bio:

Born in St. Louis Missouri, January 8th, 1960, to a mother who loved music and a father who played the piano as a hobby, Dave started playing drums around the age of 8. During his high school years he received many awards from the NAJE (National Association of Jazz Educators) for his outstanding performances in his high school’s competition winning jazz band, and was involved with numerous local groups from a very early age while studying with St. Louis area teachers Bob Matheny and then Joe Buerger*. At age 16 he began to work professionally with local pop and jazz groups. As he turned 19, he moved to the east coast in 1979 to study music at the University of Bridgeport in Connecticut. While playing the club scene in New York City with a band called Nite Sprite, Dave started to receive accolades from established studio musicians such as Steve Kahn, Michael Brecker, and especially the great drummer Peter Erskine. It was Peter who recommended Dave for his first ‘big gig’ in town with a group called French Toast, forerunner to the Michel Camillo band, which has been recorded quite extensively over the years. From this group bassist Anthony Jackson recommended Dave for the prestigious Simon and Garfunkel reunion tour in 1983. After this tour it was not long before he was regularly being called for radio and TV jingles, sound track sessions, and top recording dates with such artists as George Benson, Peabo Bryson, Diana Ross and Robert Plant, to name a few.

In 1985 Michael Brecker told Chick Corea to check out this new young guy in town, Dave Weckl, for his new ‘Elektric Band’. That was the beginning of a 7 year relationship with both the ‘Elektric’ and ‘Akoustic’ Bands, where 9 recordings and 3 videos were produced, and the ‘Akoustic Band’ winning a Grammy for the band’s first release. It was also the Elektric Band’s first recording where Dave’s spectacular drumming and innovative use of combining electric and acoustic drums really brought him world wide recognition.

Dave has since gone on to produce six of his own recordings to date; ‘Masterplan’, ‘Heads Up’, and ‘Hardwired’, available on GRP/MCA records, and most recently with the Dave Weckl Band, ‘Transition’, ‘Ryhthm Of The Soul’, and ‘Synergy’ on Stretch/Concord Records. His own band has kept him very busy as of the last few years, but when off the road he keeps busy with session work and record dates in the Los Angeles area, as well as appearing occasionally with Lee Ritenour, Marco Mendoza, Brandon Fields group, Alan Pasqua and others.

Besides his busy playing career, Dave is also very involved with the teaching aspect of the music business, conducting many seminars and classes all over the world. He says ” It is my goal to inspire as many young (and not so young) people as possible to want to play music, whether it be drums or another instrument. With all the problems of the world today, I feel this is my way of contributing a positive action towards spiritual happiness, which music can be a big part of, if you let it. So parents, if your child has a talent for music, please allow them the opportunity to develop that talent!” Dave does accept students for consultation type lessons when he is off the road, so if interested send an e-mail to Weckman1@aol.com.

#9 Cry - Chris Ballin - by profyousion

Wednesday, February 4th, 2009

“COP DIS JAM”.

PROFYOUSION’S VIDEO REVIEW Cry

do it right

do it right

Chris Ballin’s vocals are often compared to Luther Vandross, although I don’t think so. Although Luther could sing, I never particularly cared for him. I think if a big cat can sing, they automatically say “Luther”, because it’s easy.

I like Chris. Think of a lower pitched Frankie Beverly, a smoother Bobby Womack, or more…a Christopher Williams. He’s got a slightly raspy quality to his voice lending that “special something” that makes anything he sings enjoyable.

Born in Nottingham, England,he began playing drums at the age of 8, joined his first band at 10, and has been a session musician singing background for a number of high profile acts over the years, including Incognito,ZZ TOP, Belinda Carlisle and Chaka Khan, Pink Floyd, Mark Morrison, M-People, Brand New Heavies, Desiree, Mica Paris and Tina Turner.

Combining the above chops with his ability to not only write, but phrase lyrics in unexpected ways, you can expect to be inwardly moved.


The track “Cry” off the “Do It Right” album is aural affirmation that a man CAN love the right woman. Produced by Errol Henry and Stephen Carmichael on the Intimate Music Group label, released in ‘96. Balliin co-wrote most of the tunes with Carmichael. Background vocals by Beverly Skeete and Hazel Fernandes.
From the delicate tones on the vibraphone at the beginning, the tone is set. He’s found a way of expressing his appreciation for what she has brought to his life, to the point of tears.

The first verse starts:
You ask me how I feel
Is my love for real
Don’t you know…I adore
Yoouu!

Stun my soul
Lose control
Of my mind…Then I find

No matter how I try, to hold it down
I remember life before, Your love I found
Girl you make me cry, cry, cry

This ain’t no sappy tune though, it’s got some heat, and an undeniable groove happening.
This is one of those tunes you play to set the mood when you have a lady at the crib for a little one on one time. I wonder if cats still do that, or am I just old?

“COP DIS JAM”.

PROFYOUSION’S VIDEO REVIEW Cry

Tracks:

Full-Time Lover 4:57
Living Life Alone 4:48
Wanna Be Loved 5:12
Could You Be Mine 5:06
Cry 5:37
Sunshine 4:47
Do It Right 5:30
Made Up My Mind 4:48
Part of Me 5:40
Make It Up 4:42