#20 Foosh - George Duke - by Profyousion
Wednesday, September 23rd, 2009
the aura will prevail
This is the tune that really made me dig George Duke, primarily and Fusion in general.
Another example of the musical diversity available at the time. Foosh is bluesy, funky, and spacy on a number of levels, and it’s probably not for everyone.
From the album “The Aura Will Prevail” “75, itself somewhat a tour-de-force of what his musical approach will become. His unmistakeable sound will eventually be imitated by many in the business.
#18 Silly Putty - Stanley Clarke - by Profyousion
Wednesday, May 13th, 2009
journey to love
Previously, the acoustic/electric bass’ role was as an indistinct “fill” instrument relegated to the background, with a few exceptions. One had to listen quite closely to follow its’ musical contributions.
Stanley’s slap/pluck technique brings it front and center.
#17 Renaissance - Lonnie Liston Smith - by Profyouson
Thursday, April 30th, 2009
watercolors
What separated Lonnie Liston Smith and the Cosmic Echoes apart from the rest of the jazz/fusion/funk cats were the vocal tracks. His brother, Donald could not only play the flute, he could blow!
Yeah, yeah I know you’ve got your fusion vocal cats like Flora Purim, Milton Nasciemento, Tania Maria and the rest.
Donald Smith is home grown, and his voice is tinged with a kind of native sultry swagger giving him a place of his own among vocalists of the time.
The title track”Renaissance” on the RCA label 1977 is my favorite Lonnie/Donald tune.
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